12 June 2018 Surrealism – A Feeling Too

Hello to you.  How are you doing in your here and now?  I’m feeling like a word that isn’t normally attributed to a state of being, surrealism.   Surrealist art is a lot like my dreams…my life lately.  A vast canvas covered with unrelated images that when strung together somehow make sense.  The world we are sharing right now is very surreal to me most of the time.  So many things that make sense and so many more that don’t all going on at once.  Such a mess!

On the one hand we have President Trump and Kim Jong Un shaking hands – which like Dennis Rodman I’m very pleased about and hope it was genuine (https://www.msn.com/en-us/news/world/trump-kim-summit-trump-says-us-will-end-its-%E2%80%98war-games%E2%80%99-with-south-korea/ar-AAyx0hn?OCID=ansmsnnews11)  and on the other we have ancient trees dying in Africa possibly because of climate change (https://www.popsci.com/baobab-tree-climate-change).  So many extremes all vying for time on the world stage.  No wonder so many people are bipolar and have ADD nowadays!  Up!  Down!  Look here!  Now there!  Forget you saw or heard that!  Now for something completely different!

19 21 18 18 5 1 12 9 19 13

S U R R E A L I S M = 135/9 divided by 2 = 4.5 = 9 cycle – makes sense this sort of thing would be a cycle sort of word!

http://www.theartstory.org/movement-surrealism.htm – good article about this art movement actually is if your curious

Exploring Surrealism with Peter Capaldi | Unlock Art – I found this and had to share.  Peter explaining this art form makes it a little more wonderful to learn about.

 

My chalk drawings from the past couple of days are fading and nothing has come to me to put to the slab or paper.  My thoughts have been murky.  My dreams have been fluid and very little to hold on to and write down in my dream journal.   I am not worried.  I need this rest period.  The veil will open.  The curtains will part and show me things to share.  For now it’s sleep, words, numbers, concepts and may a random picture or two.

Surreal – by Jackie

“Surreal is the distance between the grass and the dew

The random points of light when assembled

That make me and you

Am I walking or am I gliding

In the stitches of space

Or am I just a particle hiding…..”

 

I painted this back in April of this year. Yes, that sparkle is fabric paint I included lol. The purple wisps were inspired by the movie The Arrival. One of the weird images to come out of my “long walk” recently. I’m almost ready to bust out one of the blank canvas we bought and see what comes.

Hugs and positive vibes through the wires!

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6 Feb 2018 Messy – final phase of painting #3

Hello to you.  How are you where and when you are?  It’s cold and gray here today….an inside day.  I decided to finish the painting I’ve been working on.  To some, it may look unappealing, “Messy” and “Unpolished”, like the title I gave it….my name…Jackie.  “Beauty” is definitely in the eye of the beholder!  I will be seeing my friend soon who gave me the financial support to be able to afford paints and canvas to do these.  She will be given an opportunity to choose a painting – my gratitude to her for helping me with this endeavor.  I am not sure if after the paints are gone if I will buy more.  There is a guilt I feel about this – not an eco-friendly hobby painting.  If I were to continue, Kyle and I talked about this, I would need a village lol.  Someone(s) to make canvas from scratch and Someone(s) to make paint like they used to.  There is so much that is involved for the things we use each day without even thinking about the origin of them…”where things come from” and “how they are made.”  What is the ultimate “cost” of our works, hobbies and crafts to the environment?   Are our shared activities “sustainable?”   I guess I needed a reminder.  It’s all very complicated and “Messy.” 

6 Feb 2018 – final phase of the painting and it’s messy and unpolished just like me…the title of this painting is “Jackie.”

23 Jan 2018 Flatline (Doctor Who and Dream) my first two paintings Emergence and Apart

Hello to you.  Just stopping in to share what I’ve been up to the past couple of days – painting.

23 Jan 2018 – The one on the left I’m called Emergence. I’ve shared a chalk drawing of it before. The one on the right I did today. I’m calling it Apart. The reason is when I did this, I was thinking of an origin story of the sun. How the sun just wanting to be alive so it set part of itself free and creation began. They say the earth was purple once.

I  had an interesting dream image last night.  It was of beings drawn in like a white outline on a wall.  They had big heads and big eyes and looked like stereotypical aliens.  The dream was like on “repeat.”  I kept seeing them going from the wall to being solid over and over again.  The wall was like a doorway.  There was something like this in Dr. Who in the episode called Flatline:  https://en.wikipedia.org/wiki/Flatline_(Doctor_Who)

Flatline (Doctor Who)

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250 – “Flatline”
Doctor Who episode
Flatline - Doctor Who.jpg

Promotional image showing the trapped Doctor in the shrunken TARDIS
Cast
Others
Production
Directed by Douglas Mackinnon
Written by Jamie Mathieson
Script editor David P Davis
Richard Cookson
Produced by Nikki Wilson
Executive producer(s) Steven Moffat
Brian Minchin
Incidental music composer Murray Gold
Series Series 8
Length 45 minutes
Originally broadcast 18 October 2014 (2014-10-18)
Chronology
← Preceded by Followed by →
Mummy on the Orient Express In the Forest of the Night
Doctor Who episodes (1963–1989)
Doctor Who episodes (2005–present)

Flatline” is the ninth episode of the eighth series of the British science fiction television programme Doctor Who, written by Jamie Mathieson, and directed by Douglas Mackinnon. The episode stars Peter Capaldi and Jenna Coleman, with Joivan Wade and Christopher Fairbank guest starring. The episode received critical acclaim, with particular praise directed at Coleman’s performance.

Plot[edit]

The Doctor discovers something draining energy from the TARDIS and materialises in Bristol. While Clara steps out to look around, by the time the Doctor tries to leave, the exterior dimensions of the TARDIS have shrunk too small to leave. The Doctor passes Clara his sonic screwdriver, psychic paper, and an earpiece to let him see, hear, and communicate with her, and she carries the TARDIS in her bag, acting as “Doctor” Clara.

Clara befriends Rigsy, a graffiti artist assigned community duty with a crew to paint over graffiti in a pedestrian tunnel. Rigsy explains the art appears to be of people that have gone missing over the last several days. The Doctor directs Clara and Rigsy to search the flat of the latest disappearance, and Clara convinces PC Forrest to let them in. Outside of a strange mural in one room, nothing seems amiss, but they hear Forrest scream from the next room. When they get there, there is no sign of Forrest, but there is another strange mural on the floor. The Doctor recognises it as a human nervous system, and suspects it is Forrest’s. He warns Clara and Rigsy that there are two-dimensional creatures, the Boneless, that appear to be trying to understand the third dimension and have been the cause of the missing persons, flatting them into two dimensions. Clara and Rigsy escape before they are attacked.

The 2dis, the device that restores dimensions, as shown at the Doctor Who Experience.

They race back to the crew to warn them, the Doctor suspecting the paintings in the tunnel are additional Boneless. Some crewmen are killed while Clara leads the rest through a train yard into underground tunnels, followed by shambling forms of the paintings, which the Doctor surmises is the Boneless learning how to use the third dimension. The Boneless surround them, blocking their escape by flattening the doors into two dimensions. The Doctor jury-rigs a device and passes it to Clara to let them undo this flattening to give them time to escape. Clara and Rigsy try to run down the Boneless with an out-of-service train, but the creatures simply flatten it to two dimensions. In their haste, Clara drops the TARDIS into the path of an oncoming train, and the Doctor activates its Siege Mode, preventing any physical damage but leaving him unable to communicate with Clara or return it to normal with the Boneless’s power drain.

After recovering the TARDIS, Clara, Rigsy, and the other crew take shelter in a disused office. Clara gets a plan, and has Rigsy paint a realistic door on a large poster. They hang the poster over an access tunnel, and lure the Boneless to it. The Boneless, thinking it is a flattened door, funnel their energy into it to restore it, but instead this is helping to power the TARDIS that Clara placed right behind the poster. The TARDIS reverts to its normal size and form, and the Doctor erects a barrier to hold the Boneless in place. Realising the Boneless have no peaceful intentions, he returns them to their normal dimension. After saying their goodbyes, the Doctor asks Clara how she enjoyed being the Doctor for the day. Elsewhere, Missy watches Clara’s adventure, muttering to herself that she has “chosen well”.

Continuity[edit]

The TARDIS exterior was also shrunk to dolls house size in the serial Logopolis, with the Fourth Doctor trapped inside.[1]

The further-miniaturised TARDIS in “siege mode” resembles the Pandorica, the inescapable prison first mentioned in “The Eleventh Hour” and shown fully in “The Pandorica Opens“.[2]

Production[edit]

The read through for “Flatline” took place on 19 May 2014. Filming began soon afterwards, on 28 May, and concluded on 18 June 2014.[1]

Reception[edit]

Overnight viewing figures were estimated at 4.6 million, the lowest overnight rating for the show since “The Hungry Earth” in 2010 and the second lowest rating since the show returned in 2005.[3] The episode was watched by a total of 6.71 million viewers.[4] In the US, this episode was seen by 0.75 million viewers, being also the lowest rating for the series.[5]

The episode received critical acclaim, with many praising Mathieson’s script, Coleman’s performance and the uniquely designed monsters. The episode also received an AI of 85, considered excellent.[6] Neela Debnath of The Independent praised Capaldi and Coleman’s performances and believed this episode to be the stronger of Mathieson’s two episodes, although she was critical of the CGI effects.[7] Matt Risley of IGN gave the episode 8.3 out of 10, praising the concept of the episode and the performance of Coleman, but criticising the guest cast.[8] Morgan Jeffery of Digital Spy gave a mixed review of the episode, calling it “a bumpy ride.” He too was critical of the supporting cast, citing lack of depth to their personalities. He was however, positive of the CGI, calling it “the most impressive and distinctive this show has featured in recent memory.” Overall he gave the episode 3 stars out of five.[9]

Reviewing the episode for The Daily Telegraph, Michael Hogan noted that Christopher Fairbank was billed as the guest star but Joivan Wade outshone him. He stated that the episode had “outlandishly original ideas, smartly executed. It was thrillingly unsettling and ultimately satisfying.”[10] Dan Martin, for The Guardian, wrote that Jamie Mathieson’s script “is one of the more effective demonstrations of how to do the ‘cheap one’.” Martin also stated that Clara is “becoming more and more like the Doctor”.[11] Alasdair Wilkins of The A.V. Club awarded the episode a B+, stating that “the show is on a hot streak we haven’t seen in a long, long time”. Wilkins closed his review by saying “‘Flatline’ isn’t perfect, but it underlines just how great the 12th Doctor and Clara have been for each other, and how great their pairing has been for the show, if for no other reason than their complex relationship has forced the show to be thoughtful in a way it hasn’t in quite some time”.[12]

Anyhew….time to get dinner prepared.  I hope this finds you loved and loving.

Fun song I found recently.  Depeche Mode is one of my all-time favorite bands and VNV Nation is quite a favorite for me too.  Bought the closest version I could get on Itunes, the Cicada mix:

Depeche Mode versus VNV Nation – Epicentre In Your Eyes

*I realized that in the context of how I have come to view the human body, as a car, many of us are “driving” distracted.  It doesn’t just apply to moving vehicles external.   The dream I had the other night, I realize wasn’t necessarily about cars.  Sometimes I think, from what I’ve seen and experienced,  distracted/vacant human beings  can be like a used car lot for disembodied energy looking for a new ride to hop in.  Sentient energy needs a body is what keeps coming to me.  It’s a foreign way to think I guess, but just how I think.  I don’t think about life, death, rebirth and the “in between” that the Catholics call purgatory like most people do.