Hello, about to unplug myself from this contraption or at least get off social media stuff for the rest of the day lol. I have found myself thinking about actor Jonathan Rhys Meyers a lot lately, probably because I’m re-reading Dracula and his portrayal as character Alexander Grayson is probably my favorite to date! Anyhew…Jon has a film coming out next month which looks very interesting to me. I am a child of the 80’s and even have many Clash songs on my Ipod shuffle right now lol. They were definitely one of my favorite bands and their messages resonate with me, Straight to Hell especially when I think of what’s going on with our environment right now! So the fact that Jon will be portraying Joe Strummer should be a lot of fun to see. I am pretty certain I won’t get to see it in a theater but I have it on my Netflix cue!
Jonathan Rhys Meyers Dracula – my favorite to date!
Speaking candidly now, as much as I love you Jon and your work, I still haven’t been able to bring myself to watch Roots! So much of history is currently repeating itself all over my country and the world…to see it packaged in another form is almost more than I can stomach right now. I’m weak about such things I guess. I will get strong enough to watch it because it was during this time a path was crossed.
Source internet – Ralph Waldo Emerson quote
This brings me to an article my friend Rhonda shared a couple days ago about a little known part of “white” history….how Irish men and women were bought and sold much like the African slave trade. When I say that every walk of life on this planet has suffered slavery….I’m not kidding! It doesn’t matter what the color of your skin, your nationality, your creed or your breed…..if you will make someone money there are those in line to buy and sell you. This probably explains where the 1% African result in Kyle’s DNA test comes from!
Monday, March 16, 2015
IRISH: THE FORGOTTEN WHITE SLAVES
They came as slaves: human cargo transported on British ships bound for the Americas. They were shipped by the
hundreds of thousands and included men, women, and even the youngest of children.
Whenever they rebelled or even disobeyed an order, they were punished in the harshest ways. Slave owners would hang their human property by their hands and set their hands or feet on fire as one form of punishment. Some were burned alive and had their heads placed on pikes in the marketplace as a warning to other captives.
We don’t really need to go through all of the gory details, do we? We know all too well the atrocities of the African slave trade.
But are we talking about African slavery? King James VI and Charles I also led a continued effort to enslave the Irish. Britain’s Oliver Cromwell furthered this practice of dehumanizing one’s next door neighbor.
The Irish slave trade began when James VI sold 30,000 Irish prisoners as slaves to the New World. His Proclamation of 1625 required Irish political prisoners be sent overseas and sold to English settlers in the West Indies.
By the mid 1600s, the Irish were the main slaves sold to Antigua and Montserrat. At that time, 70% of the total population of Montserrat were Irish slaves.
Ireland quickly became the biggest source of human livestock for English merchants. The majority of the early slaves to the New World were actually white.
From 1641 to 1652, over 500,000 Irish were killed by the English and another 300,000 were sold as slaves. Ireland’s population fell from about 1,500,000 to 600,000 in one single decade.
Families were ripped apart as the British did not allow Irish dads to take their wives and children with them across the Atlantic. This led to a helpless population of homeless women and children. Britain’s solution was to auction them off as well.
During the 1650s, over 100,000 Irish children between the ages of 10 and 14 were taken from their parents and sold as slaves in the West Indies, Virginia and New England. In this decade, 52,000 Irish (mostly women and children) were sold to Barbados and Virginia.
Another 30,000 Irish men and women were also transported and sold to the highest bidder. In 1656, Cromwell ordered that 2000 Irish children be taken to Jamaica and sold as slaves to English settlers.
Many people today will avoid calling the Irish slaves what they truly were: Slaves. They’ll come up with terms like “Indentured Servants” to describe what occurred to the Irish. However, in most cases from the 17th and 18th centuries, Irish slaves were nothing more than human cattle.
As an example, the African slave trade was just beginning during this same period. It is well recorded that African slaves, not tainted with the stain of the hated Catholic theology and more expensive to purchase, were often treated far better than their Irish counterparts.
African slaves were very expensive during the late 1600s (£50 Sterling). Irish slaves came cheap (no more than £5 Sterling). If a planter whipped, branded or beat an Irish slave to death, it was never a crime. A death was a monetary setback, but far cheaper than killing a more expensive African.
The English masters quickly began breeding the Irish women for both their own personal pleasure and for greater profit. Children of slaves were themselves slaves, which increased the size of the master’s free workforce.
Even if an Irish woman somehow obtained her freedom, her kids would remain slaves of her master. Thus, Irish mothers, even with this new found emancipation, would seldom abandon their children and would remain in servitude.
In time, the English thought of a better way to use these women to increase their market share: The settlers began to breed Irish women and girls (many as young as 12) with African men to produce slaves with a distinct complexion. These new “mulatto” slaves brought a higher price than Irish livestock and, likewise, enabled the settlers to save money rather than purchase new African slaves.
This practice of interbreeding Irish females with African men went on for several decades and was so widespread that, in 1681, legislation was passed “forbidding the practice of mating Irish slave women to African slave men for the purpose of producing slaves for sale.” In short, it was stopped only because it interfered with the profits of a large slave transport company.
England continued to ship tens of thousands of Irish slaves for more than a century. Records state that, after the 1798 Irish Rebellion, thousands of Irish slaves were sold to both America and Australia. There were horrible abuses of both African and Irish captives. One British ship even dumped 1,302 slaves into the Atlantic Ocean so that the crew would have plenty of food to eat.
There is little question the Irish experienced the horrors of slavery as much (if not more, in the 17th Century) as the Africans did. There is also little question that those brown, tanned faces you witness in your travels to the West Indies are very likely a combination of African and Irish ancestry.
In 1839, Britain finally decided on it’s own to end its participation in Satan’s highway to hell and stopped transporting slaves. While their decision did not stop pirates from doing what they desired, the new law slowly concluded this chapter of Irish misery.
But, if anyone, black or white, believes that slavery was only an African experience, then they’ve got it completely wrong. Irish slavery is a subject worth remembering, not erasing from our memories.
But, why is it so seldom discussed? Do the memories of hundreds of thousands of Irish victims not merit more than a mention from an unknown writer?
Or is their story to be the one that their English masters intended: To completely disappear as if it never happened.
None of the Irish victims ever made it back to their homeland to describe their ordeal. These are the lost slaves; the ones that time and biased history books conveniently forgot.
Interesting historical note: the last person killed at the Salem Witch Trials was Ann Glover. She and her husband had been shipped to Barbados as a slave in the 1650’s. Her husband was killed there for refusing to renounce catholicism.
In the 1680’s she was working as a housekeeper in Salem. After some of the children she was caring for got sick she was accused of being a witch.
At the trial they demanded she say the Lord’s Prayer. She did so, but in Gaelic, because she didn’t know English. She was then hung.
Jonathan Rhys Meyers as Joe Strummer in New ‘London Town’ Trailer
by Alex Billington September 15, 2016 Source: YouTube
“Experience the music and energy of the 1970s punk underground.” IFC Films has released an official US trailer for a film titled London Town, starring Jonathan Rhys Meyers as iconic musician Joe Strummer of the band The Clash. Not to be confused with the musical London Road, this film is set in the 1970s about a 15-year-old boy introduced to the iconic punk rock band The Clash and it changes his life forever. Daniel Huttlestone stars as Shay, Nell Williams as Vivian, along with Tom Hughes, Natascha McElhone, Dougray Scott and Kerry Howard. This looks like it might be a great double feature with Sing Street, or any punk rock film from England. Featuring music from The Clash, The Ramones and Buzzcocks. Fire it up.
Here’s the official US trailer (+ poster) for Derrick Borte’s London Town, direct from IFC’s YouTube:
Source Internet – poster for Jon’s new film London Town….love the pink in this….makes me think pink spirit like my book.
In 1970’s London, when 15-year-old Shay hears the music of The Clash for the first time, it’s a revelation, opening up a new world of social consciousness and anti-establishment defiance beyond anything he’s known in his dead-end suburb. Drawn into the heart of the city’s burgeoning punk scene, he forges two relationships that will change his life, falling in love with rebellious cool girl Vivian and finding an unexpected connection with none other than The Clash’s electrifying frontman, Joe Strummer. London Town is directed by German filmmaker Derrick Borte, of The Joneses, Dark Around the Stars and H8RZ previously. The screenplay is written by Matt Brown, based on an unproduced screenplay by Sonya Gildea & Kirsten Sheridan. IFC Films will open London Town in select US theaters + on VOD starting October 7th.