8 Oct 2017 The Living and the Dead (BBC) and positive story about how even the most extreme people are capable of change ( The ‘ironic’ friendship that convinced a former neo-Nazi to erase his swastika tattoos)

Hello to you….it’s Sunday in my here and now as I write to you.  How are you doing in your here and now?  I hope you are in a good place.  I’m navigating my way back to a healthier head, heart, mind and spirit space myself.  We’ve started watching a very interesting BBC show that I had been waiting to be available on Amazon Prime.  It’s called The Living and the Dead starring Colin Morgan and Charlotte Spencer.  WOW!  So worth the wait!  The cinematography alone is just amazing.  I find myself wishing I could just have many frames of the show as reference for doing paintings.  We watched the second episode last night and are hooked.  I won’t give away too many spoiler for those who want to explore the show, but a concept I was fascinated to see employed …the overlaying of dimensional realities.  Are ghosts just versions of us from other dimensions peaking through another reality…the veil?  Are ghosts just the overlaying of dimensions and timelines?  I thought Colin was brilliant in another fantastic BBC show, Humans and he is just as great in this one.  Sadly, while looking for more information on the show, I see it didn’t get a second season….sigh.

http://www.bbc.co.uk/mediacentre/latestnews/2015/living-and-dead-casting – this article was prior to production, but it gives you a great feel for what it’s about.

Colin Morgan and Charlotte Spencer set to thrill in new supernatural BBC One drama The Living And The Dead

The Living And The Dead is one of those scripts that you read and are instantly compelled and engaged by. It’s intelligent, chilling and engrossing.Colin Morgan

Date: 07.08.2015     Last updated: 10.08.2015 at 12.28
Category: BBC One; Casting; Drama
Colin Morgan (Humans, The Fall, Merlin) will play the lead role of Nathan Appleby in brand new eerie mystery The Living And The Dead.

The original six part series for BBC One, created by Ashley Pharoah (Life On Mars, Ashes To Ashes, Moonfleet), will also star Charlotte Spencer (Glue, Stonemouth, Line Of Duty), as Charlotte Appleby, Nathan’s wife. Charlotte was BAFTA nominated for Best Supporting Actress in 2015 and Colin won a National Television Award for Most Popular Male Drama Performance in 2013.

“What lies beneath should be left beneath”

Somerset, 1894. A house that’s almost as old as the English countryside itself. A brilliant young couple inherit the farm and are determined to start a new life together. But their presence in this isolated corner of England starts to unleash strange, unsettling and dangerous supernatural phenomena that will start to threaten their marriage.

This is a drama steeped in the eeriness of the rural world at the moment when the industrial revolution came crashing in to disrupt all the old certainties. Uncanny, intriguing, disturbing. At the series’ heart is the love story of Nathan and Charlotte Appleby: deeply in love with each other but put under extraordinary pressure, they will have to fight to save their marriage and their home.

Colin Morgan says: “The Living And The Dead is one of those scripts that you read and are instantly compelled and engaged by. It’s intelligent, chilling and engrossing. It’s going to be very special and I can’t wait to start working on it with the wonderful creative team.”

Charlotte Spencer says: “It’s always been a dream of mine to appear in a period drama and they don’t come better than this – fantastic, original scripts and, in Charlotte Appleby, a superb character who’s strong, passionate and gutsy. Couple this with an incredible director, crew and cast, I can’t wait to get started!”

Ashley Pharoah adds: “I am completely thrilled that Colin and Charlotte are joining us on our adventure. The characters they play – Nathan and Charlotte Appleby – dominate the series and I couldn’t be more excited to see what they do with them.”

Faith Penhale, Head of BBC Wales Drama Production, says: “Colin Morgan and Charlotte Spencer are two of Britain’s most exciting and talented stars and I can’t think of anyone better to bring to life Nathan and Charlotte Appleby, the beautifully drawn couple at the heart of Ashley’s bold and brilliant new series for BBC One.”

The executive producers are Ashley Pharoah and Matthew Graham for Monastic Productions, Faith Penhale, Head of BBC Wales Drama Production, and Katie McAleese for BBC Wales Drama Production.

Eliza Mellor (Poldark, Death Comes To Pemberley) is producer and director Alice Troughton (Cucumber, In The Flesh) will launch the series.

Commissioned by Charlotte Moore, Controller of BBC One, and Ben Stephenson, previous Controller of BBC Drama Commissioning, The Living And The Dead is a BBC Wales Drama production in association with Monastic Productions and co-produced with BBC America. It will be distributed internationally by BBC Worldwide.

Filming has begun in the West Country.

Notes to Editors

Photo credit: Robert Viglasky.

CK1

The Living and the Dead: Trailer – BBC One

To close so Kyle and I can get on with what little we have of OUR time off together……..

Last night before bed I did one last glance at the headlines, which I know isn’t good for my sleep but I was rewarded before Kyle accidentally flagged me and turned off the internet.  It was this Washington Post news story  by Lindsey Bever that I felt was important to share.  This story about Michael Kent and his amazing probation officer Tiffany Whittier shows me there is hope for humanity……people can change if they want to….if they try.  This story also is a current example of what my post yesterday that went into  how early childhood trauma and experiences with bullying, from the perspective of a white male, can shape that white males future: ( https://saymber.com/2017/10/07/7-oct-2017-lets-stay-together-dream-and-song/)  My brother-in-law experienced bullying when he attended a public school in New Mexico that had a population primarily made up of Hispanic children.  It got so bad that Kyle’s parents pulled him from public school and started home schooling all the kids after that.  It’s important to recognize it’s not just minorities who suffer in this way.

https://www.washingtonpost.com/news/inspired-life/wp/2017/10/07/the-ironic-friendship-that-convinced-a-former-neo-nazi-to-erase-his-swastika-tattoos/?utm_term=.8d363a35b126

The ‘ironic’ friendship that convinced a former neo-Nazi to erase his swastika tattoos

The Washington Post
Lindsey Bever
Michael Kent and an unidentified “comrade” in Phoenix in 2006.
© Courtesy of Michael Kent Michael Kent and an unidentified “comrade” in Phoenix in 2006. Michael Kent’s dedication to a racist cause was spelled out in ink on his skin.

 The white supremacist symbol “1488” on the back of his neck.

The swastikas drawn on his neck and chest.

And the “WHITE PRIDE” banner stretching from shoulder to shoulder.

Kent got the tattoos in prison, when he was still a neo-Nazi — earning each letter in “WHITE PRIDE” by, he said, “messing people up.”

“I was a real piece of crap,” Kent told The Washington Post. “I regret a lot of stuff that I did. But I can’t take it back, and I’m glad because it made me who I am today.”

Kent, 38, said he is now having his neo-Nazi tattoos covered up after making the decision to leave a life of hate behind him.

Subscribe to the Post Most newsletter: Today’s most popular stories on The Washington Post

That decision, he first told ABC News, grew slowly out of a surprising friendship with his probation officer — a black woman.

“I told her if it wasn’t for her, I’d still be deep into this stuff,” he said.

Tiffany Whittier, a probation officer in Pinal County, Ariz., was assigned to handle Kent’s case a decade ago.

Kent, who had served time on drug and weapons charges, was released from prison in 2006; about a year later, his probation case was transferred to Whittier.

Until then, he said, his probation officers had always visited him in pairs.

Then Whittier got his file — which included pictures of his tattoos — and she visited him at his house alone.

That earned her instant respect from Kent, who said he was emotionally moved by her boldness — by the fact that she didn’t fear him or what he represented.

“She showed up, and I lost it,” he said.

His house was cluttered with Nazi gear — including a decal reading “extreme hatred” over an image of Adolf Hitler, with a swastika and Nazi Germany’s iron cross. There were also German war flags.

“She asked me why,” Kent said. “I told her, ‘This is me — take it or leave it.’ ”

Whittier said it was not her job to judge Kent. She was simply there to make sure he did not violate his probation and wind up back in prison.

Still, she did not stay silent.

One Martin Luther King Jr. Day, Kent asked Whittier: “Why are you working on James Earl Ray Day?” She sternly told him his remarks were inappropriate.

Another time, she half-jokingly told Kent that he should replace his Nazi symbols with smiley faces — and he did it. His nickname was Smiley, he explained, and it “made a lot of sense.” So he put posters of smiley faces where racism had once been on display.

As time went on, Kent said he started leaning on Whittier for support.

When his first child was born.

When he and his girlfriend broke up — then got back together, eventually marrying.

And then when they divorced.

In the middle of it all, in 2010, Kent completed his probation.

And, Whittier said, their professional relationship started to develop into an “ironic” friendship.

As his life progressed, he said, so, too, did his views about race.

“Michael did the work,” Whittier said. But, she said, she is glad that she had “an impact on him.”

Kent said it was the respect that Whittier showed that made him want to take down the Nazi symbols. He did so out of respect for her, he said.

His neo-Nazi views, he said, evolved from racial encounters growing up in a mostly black neighborhood in Erie, Pa. He was bullied by black children, he said, and his mother was assaulted by a black man.

He said a man broke into her window and climbed on top of her, but she drew a gun and started shooting at him.

Kent was only 6 or 7 at the time, he said. He started to see black people in a negative way, and his hatred for them “started growing stronger and stronger and stronger” until he became a full-fledged “skinhead.”

In the 1990s, he started to join demonstrations, including a neo-Nazi rally in Arizona to support the state’s controversial immigration bill, SB 1070.

He said he “destroyed people’s lives” — both by recruiting others into his racist lifestyle, and by “putting boots to people” of other races.

Over the years, Kent found himself in and out of prison.

He said he doesn’t even remember why he went to jail the first time, when he was a young teen; but records show that in the early 2000s, he was put in prison for the first time for dangerous drug violations, theft, trafficking stolen property and promoting prison contraband — a charge he said stemmed from a stint in county jail in the late 1990s, when he brought drugs into the correctional system.

He was later imprisoned on a weapons charge. Kent said he had attempted suicide with a gun — which, as a felon, he was not permitted to have in his possession.

It was in prison, Kent said, that he got his Nazi tattoos; prisoners melted down chess pieces, hair grease and Styrofoam cups, mixed the soot with soap, and then injected it with sharp guitar strings.

But eventually, Kent said, those symbols — and that lifestyle — were in his past, and he wanted to leave them there.

He explained to Whittier that he had started to see people differently — learning not to judge, but to accept them.

So Redemption Ink, a nonprofit whose website states that it gives free coverups to people with “marks of gangs, prejudice, and hate in the form of a tattoo,” connected Kent with a tattoo shop in Colorado, where he now lives.

“We called him and said, ‘We’d like to be the next step in your journey,’” David Brown, co-owner of Fallen Heroes Tattoo in Colorado Springs, told The Post. “Michael was truly committed to this deal.”

Kent has had some sessions and still has more to go — but, Brown said, he is on his way to closing “this chapter in his life.”

Now, Kent said, he lives alone in Colorado, where he works 60 to 80 hours a week on a chicken farm — doing maintenance, managing heavy equipment and even making the feed for the chickens.

He said it’s “hectic,” but he enjoys it.

And Kent said he owes it all to a black probation officer who gave him a chance.

“Because of her,” Kent said, “I am the man I am.”

Michael Kent and Tiffany Whittier in 2017.© Courtesy of Michael Kent Michael Kent and Tiffany Whittier in 2017. This story has been updated.

Source: Washington Post/internet
and courtesy Michael Kent: Michael Kent and Tiffany Whittier

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